Storytelling Arts' mission is to preserve, promote and impart the art of storytelling to develop literacy, strengthen communities and nurture the human spirit.
Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts

Tuesday, February 22, 2011

My Heros!!

JULIE PASQUAL is a self proclaimed “creativity junky” whose first art form was dance. After graduating from New York City’s High School of Performing Arts, she danced and sang in numerous musicals across the country and Off Broadway. She has acted in everything from Shakespeare to the work of young playwrights in NYC high schools. Along the way she learned stilt walking, clowning, American Sign Language, and how to tell stories. Her storytelling work encompasses all her skills as a performing artist, as she brings every aspect of a story to life. Her stories have been heard in such venues as the Kennedy Center in Washington, DC, the Philadelphia Museum of Art, the New Jersey Storytelling Festival, and in schools, libraries, bookstores, hospitals, radio and private events across the tri-state area. As an artist for Hospital Audiences Incorporated, Julie performs in halfway houses, drug rehabilitation centers and senior citizen homes. She is also the voice for several children’s and young adult audio books for the Andrew Heiskill Library for the Blind and Handicapped in NYC. When not telling tales she can be found performing as a dancer in shows across the country and as a clown doctor for the Big Apple Circus Clown Care Unit, entertaining children in NYC hospitals.

To really understand how ironic what I’m about to write is, you have to understand this about me – when I was a kid, I HATED school. Not disliked, not “I’d rather be watching TV” – we are talking full on LOATHING!!! It wasn’t that I was incapable of doing well, it wasn’t that I was bullied, and didn’t have friends, it wasn’t even that I didn’t want to learn – no, it was just that I was the proverbial square peg being cramped into that round hole. I am, and have always been, a person that NEEDS to dance to their own drummer – schedules, too much structure, make me buck like a horse in the wild west. School, with all it’s rules, and requirements felt like a prison to me, so much so that as a child on Sunday nights, I would stay up as long as I could, hoping to extend my weekend that much longer. But always sleep would take me, and Monday, dreaded back to school Monday, always arrived.

So, in my mind, if school was a prison, than the teachers, were the guards. Like an inmate who knows who holds the power, and the keys to their cells, I eyed them with wariness. I was obedient, and dependable – always afraid of their power of me, over what my parents thought of me, over my life. It was only when I got to high school, and had a teacher, who really SAW me, encouraged me, and in a way adopted me, that I began to see that teachers were actual humans. Mr. Andros, my teacher/mentor/second dad showed me that teachers are heroes who day after day sometimes literally go into battle in their classrooms. They work for little money, and even less respect, it seems, but they have the most important jobs in the world. And now, years after many a school day spend eyeing educators with fear and suspicion, I find myself totally OVERJOYED to offer them whatever I can in my role as a storyteller.

In folktales there are often magical helpers that appear along the way as the hero or heroine makes their way on their journey. Often times they’ll give the hero something that, on the surface at least, looks to be simple, of little relevance to the task at hand. But time and time again in these stories, it is that little object that enables the hero to succeed. I like to think of the tales I tell like little presents, like Jack’s magical beans, that once planted in the minds of a teacher, might just help them in their heroic work of educating our future. I try with each visit to a classroom, not just to introduce the wonderful world of stories to the students, but also to their teachers, knowing I don’t even know a quarter of what they know, but hoping, beyond hope that I have served the story well enough so that it’s wisdom, and timelessness, can be seen by the classroom teacher, and, if they want to, use it in a lesson plan, or a discussion.

Oddly enough, given my history with teachers, it is that aspect that often gives me the most joy in my work with Storytelling Arts. I get to repay all those people, those heroes, who watched me looking at them like they were monsters, but taught me anyway. Who saw my gaze of distrust and fear, and kept offering all they had –day after day. Sr. Ann Robin, Mrs. Franklin, Mr. Manchester – I don’t know where you are today, but believe me - I GET IT NOW!!! I understand what incredible work you do, and while I still live outside, around, and on top of “the box” rather than in it, and too much scheduling still makes my stomach clench – I am trying to repay the debt I owe you, and every teacher whose classroom, my reluctant younger self ever entered! It’s the most I can do, as all you teachers – you hero and heroines go on your daily quests to open the minds of the world.

Sunday, December 12, 2010

Crossing Over

Most of the posts on this blog have focused on the use of storytelling as a tool for child education. And that’s appropriate. After all, part of the mission of Storytelling Arts is “to promote and impart the living art of storytelling to develop literacy.” But the mission statement goes on to say, “and nurture the human spirit.” Although I believe in the deep core of my being that developing literacy is one of the best ways to nurture the human spirit, it’s not the only way that stories can nurture us. Stories have the power to touch the spirit in every human being, literate and illiterate, child and adult, by bringing magic into their lives.

In the ancient world, the borders between the dwelling places of human beings and the world of faery were all around. The crossing points were in all places that were neither here nor there: the threshold of a door, the midpoint of the stairs, a stile between two fields. Certain times of the day or the year also opened access to the other world. Traveling gypsies used to halt their caravans and stand still in the minutes surrounding noon (the moment when it’s not longer morning but, by definition, not yet afternoon), lest they accidentally cross into fairyland. The doors to faery also open at midnight, at dawn and dusk; at equinoxes, solstices, and at the midpoints between the seasons: May Eve and Halloween. Back in the day, a careless step in the wrong direction or at the wrong time could promptly land you in the other world.

Over the years, the magical places of the earth have receded farther and farther from our day-to-day lives. Now a days, it’s not easy to wander into them. (You hardly ever hear of anyone doing it anymore!) For the most part, this is a good thing. Tradition teaches us that hobnobbing with the fair folk is, at best, a mixed blessing. They don’t share our sense of propriety or morality; they make no distinction between good and evil; they are completely selfish beings. But, be this as it may, I think our lives lack a kind of mystery that they must have had in the days when the two worlds existed side by side, when a fall of golden leaves might have become a sprinkling of fairy coins, or a chorus of crickets the sound of fairy fiddlers.

Yet, even now, in certain times and places the portals between this world and the other are still accessible. Quiet forests are such places. Halloween is one such time. Even the most unimaginative, work-a-day people are susceptible to enchantment in such times and places. (On Halloween, for example, the beautiful and terrifying Queen of Faery holds court for a surprising medley of ordinary folk.) Under their spell, our priorities fall into balance and our lives are suddenly full of promise.

However, we must leave the forest and go back to home and work, and Halloween comes but once a year. How can we hold onto that thrilling, anything-is-possible feeling we get when we find ourselves brushing against the boundary of faery? The answer to this question is as simple as opening a book.

Find at least an hour in every day to escape the mundane. Swim with selkes and mermaids. Rub Aladdin’s magic ring. Weave a spell with Prospero. Go into battle with King Arthur or Finn Mac Cumhal. Travel to the underworld with Orpheus. Journey to Mordor with Frodo and Sam. Dream with Ebenezer Scrooge. Myths, fairytales, and fantasy novels open magic doors that allow us to dwell amongst the Gentry without a lick of danger to our immortal souls. On the contrary, I believe that these respites from our daily world strengthen the soul, revive the intellect, nurture the spirit.